A dissection of sound as a sentient being, morphing and growing in the eternal light.
Corin Ileto (Eora/Syd) delivers a dynamic exploration of other worldly soundscapes through her use of granular synthesis, ethereal production, and transcendental visual storytelling. Mechanical figures consult the monolith. A fantastical and impactful presentation of sound and vision.
Continuing the digestion of the mechanical, Sebastian Collen offers a conversation in preparation, the disassembly of instrumentation, and the joy of deep sound. Partaking in this deconstruction will be Maryam Rahmani, combining a traditional mastery of the Iranian santur with a decidedly experimental approach.
Strings collide in this exploration of audiovisual resonance, with additional visual texture produced live by Liam Somerville, aka CAPITAL WASTE.
CORIN
‘Lux Aeterna’
Sebastian Collen + Maryam Rahmani + CAPITAL WASTE
Trapezia
MORE ABOUT PIANOLAB
PianoLab is a two-day festival that defies boundaries, reimagining both the piano and the recital within the immersive digital setting of ILA.
In this second iteration of the festival, PianoLab 2024 explores the relationship between nineteenth-century instrumentation, twenty-first-century technology, and creative new ideas.
Co-curated by ILA Creative Producer Lewis Godwin and South Australian composer and pianist, Benjamin Nicholls.
Click here to see the official 2024 digital program.
TICKETS
Per Event:
Full Price: $35+ BF ($45 on the door)
Student Price: $25 + BF ($35 on the door)
The Lab Pass:
$90 + BF (includes entry to 3 x performances at The Lab)
The Studio Pass:
$60 + BF (includes entry to 2 x performances at The Light Room)
Click here to see the full program.
Strobe lighting and other intense lighting may be used throughout the festival. Please note this may not be suitable for those with epilepsy and other conditions with sensitivity to light.
PianoLab is an all ages event, however attendees under 18 years of age must be accompanied by a parent or guardian.
This event is made possible with generous support from
We also thank Australian Piano Warehouse, the Elder Conservatorium and Recitals Australia for their support.